Motion Designer
2D Character Animator
Kinetic Typography
20+ Years of NYC/remote Motion GFX Experimental, Edgy, & Corporate friendly;)
Full spots available to approved partners upon request. All work shown with limited portfolio permissions
Forcing software into contortions it didn't ask for. Finding the weird connections between flat and dimensional, tool and output, screen and room.
Case Studies© Case Studies©
WORK CHAPTERS
STEADY WORK
PERMALANCING
SPECIAL TO ME
FEATURED CAMPAIGNS
STEADY WORK
FEATURED CAMPAIGNS
FEATURED CAMPAIGNS
AfterEffects
Cinema4D
Cavalry
Ai/Comfy Ui
The Northface
The Northface
NICKELODEON
NICKELODEON
NICKELODEON
NICKELODEON
IN-HOUSE
IN-HOUSE
COOLCAT WINE SPRITZER • FASHION
COOLCAT WINE SPRITZER • FASHION
HOT97 • SUMMERJAM • 5 YEARS •
2019
Animated GFX
Summerjam's first-ever animated graphics on the brand stage. After a few YouTube projects, I got the invite to try the screens. Took Carlos Sanchez's graffiti and animated it in five flavors—Bronx, Brooklyn, Manhattan, Queens, Staten Island. Headliners: Cardi B, City GIrls, Boogie w/the Hoodie.
2020
Ideation
We weren't sure it would happen. Started production in early March, experimented, had fun with it—then it ended before we really began. Headliners were: Meg the Stallion & MIGOS.
2021
Senior Creative
They handed me the keys. I made ten sets, synced across five screens and ribbons, each one a snapshot of whatever I was exploring. Best kind of playground.
2022
Motion Design
The work I'm most proud of. Collaborated closely with Diana Herrelal, Senior Designer at Hot97—brainstorming and executing branded set variations for each artist. Researched the general vibe of every performer and paced my animations to their unique energy. Used their brand colors, built each set from where they're from. Since this was the 30th year of Summerjam Concerts, we branded it as such.
2023
Motion Design
Most constraints, so we kept it evergreen—modular design, color-swapped for each artist. One exception: a custom set for "50 Years of Hip-Hop." Everything else ran on a tight palette, adapted across the full queue.
